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DV;>;. =., 4>F. >60@8FL:0 ..16>=>=5=:> . 50;V70FVO 35=45@=8E AB5@5>B8?V2 C @><0=0E .$;V==  Gone Girl B0 6. >TA  Me Before You Realisation of Gender Stereotypes in the Novels  Gone Girl by G. Flynn and  Me Before You by J. Moyes:. DV;>;. =., 4>F. >74=O:>2 ..:. DV;>;. =., 4>F. V3C=>20 ..17>B8: .5:A8:>-A5<0=B8G=5 ?>;5 FITNESS 2 0=3;V9AL:V9 <>2VLexico-Semantic Field FITNESS in the English Language4.DV;>;. =., ?@>D. >;530T20 . . :. DV;>;. =., 4>F. >9A5T=:> ..18@C?AL:0 .V1;5W7<8 2 20=35;VW 2V4 0B2VOBibleisms in Mathew s Gospel 4.DV;>;. =., ?@>D. >;530T20 . . 4.DV;>;. =., ?@>D. ><1@>20= "..19>A:>20 .$C=:FiO :>;L>@C C @><0=i . #09;L40  The Picture of Dorian Gray .Functioning of Colour Denoting Vocabulary in the Novel  The Picture of Dorian Gray by O.Wilde.:. DV;>;. =., 4>F. >70=>20 ..:. DV;>;. =., 4>F. @83>@O= . .20V7>2:V=0 .%C4>6=V9 ?@>ABV@ 2 =>25;0E .>Artistic Space in E.Poe s Novellas:. DV;>;. =., 4>F. >?V: ..:. 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Golding  Lord of the Flies :. DV;>;. =., 4>F. 0;V=N: ..:. DV;>;. =., 4>F. ;V=GC: ..220I5=:> .5@10;V70FVO :>=F5?BC MUTUAL UNDERSTANDING 2 >?>2V40==OE .5=@VVerbalization of !oncept of Mutual Understanding in O. Henry's Stories28:;. >@>;L>20 ..:. DV;>;. =., 4>F. @83>@O= . .23!;028G .$C=:FV>=C20==O AB8;VAB8G=>-<0@:>20=>W ;5:A8:8 C @><0=V $. 6. !;>B5@0  Convention M.D. Functioning of Stylistically Marked Elements in F.J. Slaughter s Novel  Convention M.D. :. DV;>;. =., 4>F. >?V: ..:. DV;>;. =., 4>F. @83>@O= . .24!>;>2T9 . $C=:FVO EC4>6=L>3> ?@>AB>@C C ;VB5@0BC@=V9 :07FV .  NWA0  The Chronicles of Narnia (G0AB8=0 1  The Magician s Nephew B0 G0AB8=0 2  The Lion, the Witch and the Wardrobe )Functioning of the Artistic Space in the Fairytale of C. Lewis  The Chronicles of Narnia (Part 1  The Magician s Nephew and Part 2  The Lion, the Witch and the Wardrobe ):. DV;>;. =., 4>F. 0HC10 ..:. 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